The Apprentice
Written by Gabe Sherman, Starring Sebastian Stan, Jeremy Strong and
Maria Bakalova
“The
Apprentice” is a biopic of the early days of the rise of Donald
Trump. It is a brilliant work, especially considering the hurried,
momentous timing of its release. It is an artistic triumph,
especially for Jeremy Strong. but also Sebastian Stan, an actor who I
had never heard of before.
It is a hard film to
watch in many ways. It is gritty and its low budget shirttails hangout
(like Donald’s white dress shirt in several scenes as he is
pulling on his pants getting ready to hit the Manhattan night.) The camera doesn’t flinch from glimpses of raw gay and public sex, marital
rape, or Donald’s liposuction and scalp reduction surgery. It
captures the trashy streets of 1970s NY.
It begins with Donald in a
cheap suit, driving a big (but dirty) Cadillac sedan through one of
the outer Boroughs to a low-end high-rise apartment building where
he proceeds to knock on doors collecting and shaking down rent from very poor, old,
but mostly white tenement dwellers. The hallway smells, and the
barking dogs and crying children and the profanity-laced complaints about his demands for back rent
disgusts him, and shows his self-righteous anger and self-pity. But
compassion? Zero. The actor Sebastian Stan realistically portrays the empty callousness of a small time loser dreaming of something he knows is out there, but is out of reach.
But then Trump meets
Roy Cohn at a restaurant and things begin to happen for him. Jeremy
Strong exudes evil from the moment you see him. He brags about how
he conned the Judge (illegally, "ex parte") in the Rosenberg case to sentence both Ethel and
Julius to death, in-spite of the weak case against Ethel. Roy Cohn is a gay Jew who
explodes with hatred against homosexuals and is a virulent
anti-Semite. He teaches Donald three rules – attack, deny, and
declare victory no matter the outcome.
The film portrays Donald growing from an very average NYC
schmo, not too bright or socially perceptive, into the monster he became under
Cohn’s tutelage. His early attempts to impress bankers and
developers is grossly transparent, revealing a total lack of
interpersonal adroitness. But gradually, as he follows Cohn around
the Manhattan Party scene we see him pick cues better, and become
something of a real estate player. Then he meets Ivana, who marries
him in spite of the insulting prenup Cohn writes for Donald, and she
begins to smooth out some of his edges.
In the end roles
reverse – Cohn becomes almost sympathetic, as he is betrayed by
Donald, who evicts Cohn’s AIDS-stricken, long time boy friend from
his hotel. Stan the actor shows Donald as he becomes even more desensitized,
and begins to repeat himself as he ages, even in the early days.
Donald, masters Cohn’s three rules (see above) and pushes his way
into Atlantic City and beyond. He is no longer the "Apprentice", but
the over-confident blowhard we all know, even as Cohn warns him that he is becoming over-leveraged. But nothing can tame Trump’s greed. A light
suddenly comes on in Cohn’s eyes as he sees what he has created.
Donald’s older brother Fred, addicted, sick and dying comes
knocking on the door, desperate for help, but Donald pushes him out,
in a scene where Ivana sees her own future.
Trump’s
relationship with his father is shown but not deeply explored. I
suppose some might see it as a weak point. But this to-the-point film
has a clear warning message that FOX News will undoubtedly call “a
hit-job” and - and – so what? (As Trump said when told the Jan 6
rioters wanted to kill Mike Pence.)
I had a professor in
college who said that Shakespeare's Richard III was not appreciated
as a great play until the 20th century. It was considered
by early critics as too over the top, and a caricature, because
surely no one could be such a baldfaced liar, so unconditionally
evil. But then we had the 20th century dictators who
showed exactly how it was done. Yes - it is possible to be that empty
of humanity and still finds a way to climb to the top. Now our
generation knows that as well.
Politics had nothing to do with the way the film moved me. I was
shaken as we left the theater.
It is a travesty
that HBO or Apple didn’t pick the film up to stream 24 hours every
day until the election. Mary and I went today, opening day, and
there were only two (2) other people in the theater.